One of the most quickly growing forms of media in the past few years is the blog. For that reason, it is peculiarly appropriate to review several blogs in a media review blog, like this one.
First off is The Brothers Brick. Many people played with LEGO bricks, or something similar, in their youth. Some of us never stopped. Contributors Andrew ("Dunechaser") and Josh keep readers informed of some of the coolest LEGO creations to be released onto the internet. Of special interest to me are the Steampunk ones, of which they post a great number.
Steampunk is also the theme of The Steampunk Librarian, who thoughtfully provides a number of links to places the steampunk enthusiast would enjoy. (I found the Port-O-Rotary especially entertaining.) Sadly, the author updates only sporadically, and the last post was made last March.
Speaking of historical anachronism, Geoffery Chaucer Hath a Blog is - how to explain it? It's a blog, written in Middle English (making it a challenge to read) under the persona of 14th century poet Geoffery Chaucer, presenting a medieval take on today's popular culture. Be sure to check out his take on Chuck Norris "facts".
Bringing this post full circle is Vignette Bricks, another LEGO fan blog, this one focusing one particular style of building - the small scene known as the "vignette". The author, Bruce, has even highlighted my own (extremely) modest attempts at the genre. That, alone, ensures a good report. ;)
All kidding aside, the blogs above have all given me great pleasure to peruse in the past, and I assume that they will in the future, as well.
(Except maybe The Steampunk Librarian.)
Sunday, August 27, 2006
Saturday, August 05, 2006
Secret Purposes
***Spoiler Warning***
Lady in the Water, the latest film by M. Night Shyamalan, has not exactly been what one would call a summer blockbuster. Then again, it isn’t the typical summer blockbuster-style of film, either.
The film chronicles the visitation to a modern day apartment building of a “narf” – a sea-dwelling nymph – named Story and the struggles of the tenants of the building, lead by the manager, Cleveland, to return her to her own land. They must accomplish this before she is killed by the local “scrunt”, which is a wolf-like animal with a grassy hide that allows it to disappear from sight by pretending to be a lump in the lawn. Their main source of information is a tenant who heard the story of the Narfs as a bedtime story in Korea. With the scrunt prowling about the buildings lawn and hallways, they race to unearth the role that each person must play to get Story back to the “Blue World” from whence she came.
All this sounds rather corny, and while I must say that the plot is much better than the above summary makes it sound, it may not be the sort of thing that would appeal to everybody. There are, however, some interesting themes to be found within.
The more prominent of these is that of finding ones purpose and meaning in life. The entire subplot of Cleveland attempting to match the tenants in his building to the supporting characters in the bedtime tale – the Guardian, the Healer, the Guild, and the Interpreter – is an example of this, as is Story’s purpose in coming to the building, the inspiration of the struggling writer whose work – and, eventually, whose death – will be the origin of great social change. Even the tenants who are not ultimately part of the fairy-tale roster are still important to the solution, and one is reminded of another Shyamalan work telling us that there are no coincidences, not even in where one rents an apartment.
Another recurring theme in the film explores the entwined nature of reality and fiction. After all, water-nymphs and wolves with mystical powers are creatures of fantasy, represented by the bedtime tale, but they intrude upon the contemporary world of a Philadelphia apartment building (even if none of the tenants find them particularly unbelievable). Cleveland’s interactions with the unnamed Critic underscore this thought, as they attempt to locate the Interpreter, et. al. in the building by applying his experience in seeing the introductions of movie characters. Since the “real” people they are attempting to find in this manner are in fact characters in a movie themselves, this adds an extra twist of irony into the situation.
While contemporary fantasy and literary philosophy may not be what the typical theatergoer looks for in a film, but if they intrigue you then Lady in the Water is worth looking into.
Lady in the Water, the latest film by M. Night Shyamalan, has not exactly been what one would call a summer blockbuster. Then again, it isn’t the typical summer blockbuster-style of film, either.
The film chronicles the visitation to a modern day apartment building of a “narf” – a sea-dwelling nymph – named Story and the struggles of the tenants of the building, lead by the manager, Cleveland, to return her to her own land. They must accomplish this before she is killed by the local “scrunt”, which is a wolf-like animal with a grassy hide that allows it to disappear from sight by pretending to be a lump in the lawn. Their main source of information is a tenant who heard the story of the Narfs as a bedtime story in Korea. With the scrunt prowling about the buildings lawn and hallways, they race to unearth the role that each person must play to get Story back to the “Blue World” from whence she came.
All this sounds rather corny, and while I must say that the plot is much better than the above summary makes it sound, it may not be the sort of thing that would appeal to everybody. There are, however, some interesting themes to be found within.
The more prominent of these is that of finding ones purpose and meaning in life. The entire subplot of Cleveland attempting to match the tenants in his building to the supporting characters in the bedtime tale – the Guardian, the Healer, the Guild, and the Interpreter – is an example of this, as is Story’s purpose in coming to the building, the inspiration of the struggling writer whose work – and, eventually, whose death – will be the origin of great social change. Even the tenants who are not ultimately part of the fairy-tale roster are still important to the solution, and one is reminded of another Shyamalan work telling us that there are no coincidences, not even in where one rents an apartment.
Another recurring theme in the film explores the entwined nature of reality and fiction. After all, water-nymphs and wolves with mystical powers are creatures of fantasy, represented by the bedtime tale, but they intrude upon the contemporary world of a Philadelphia apartment building (even if none of the tenants find them particularly unbelievable). Cleveland’s interactions with the unnamed Critic underscore this thought, as they attempt to locate the Interpreter, et. al. in the building by applying his experience in seeing the introductions of movie characters. Since the “real” people they are attempting to find in this manner are in fact characters in a movie themselves, this adds an extra twist of irony into the situation.
While contemporary fantasy and literary philosophy may not be what the typical theatergoer looks for in a film, but if they intrigue you then Lady in the Water is worth looking into.
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